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Aboriginal & Torres Strait Islander Art Provenance Project

Painting of native grasses after the rain in pink, yellow, black, and white.

Emily Kame Kngwarreye, Anmatyerre people, Ntange Dreaming, 1989, purchased 1989. © Emily Kame Kngwarreye/Copyright Agency.


We apply the highest ethical standards to safeguard and protect the cultural property of art by Aboriginal and Torres Strait Islander artists in Australia.

The Aboriginal and Torres Strait Islander Art Provenance Project is a review of the provenance of our Aboriginal and Torres Strait Islander art collection. The project is supported by the philanthropic organisation, Oranges and Sardines Foundation.

You can find out more about artworks held in our national collection here.

Do you have information about any of the works of art in our collection?

We would love to hear from you. To share your knowledge, please email us at provenance@nga.gov.au.


Related


Provenance

Photograph of building exterior at night with camera facing up

Understanding where our collection comes from.

Provenance

Protection of Cultural Objects on Loan

two men wearing gloves are hanging a large canvas on a concrete wall

The National Gallery is an approved borrowing institution under the Protection of Cultural Objects on Loan Act.

Loans Program

Lending works of art allows the collection to reach regional, metropolitan and international communities for as many to enjoy as possible.

Outward Loans Guidelines

Photograph of installation of Hockney's 'A diver, paper pool 17' 1978

Making the national collection accessible across Australia and internationally.

First Nations

First Nations work of art detail of painted black hollow logs on display in dark exhibition space

We are committed to equity and social justice for the First Peoples of this continent and that of our global neighbours.

Provenance

Gallery Policies

A large metal sculpture of an Indigenous Australian fish trap is hanging from the ceiling in a large gallery foyer

Detailed information on policies relating to acquiring and exhibiting works of art at the National Gallery.

Yuuma, Gurruburri

The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country.

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Opening Acknowledgment of Country

The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country

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Aerial view of artist Lola Greeno walking along Rocky Beach
Aerial view of artist Lola Greeno walking along Rocky Beach
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