First Nations

The National Gallery is committed to building and maintaining meaningful relationships with First Nations peoples, artists, communities, organisations and cultures. First Nations art, artists and presences have taken an increasingly prominent role within the Gallery’s artistic and learning programs, while our newly established Indigenous Engagement portfolio works internally and with the broader arts industry to consolidate ethical engagement at all levels of the arts ecology while strengthening the position of First Nations art, culture and leadership across the nation.

Reconciliation Action Plan

The Gallery is enthusiastically embarking on our first Innovate RAP. We can’t wait to share our ambitions with you in 2022.

First Nations Advisory Group

In 2022 the Gallery will be launching an Advisory Group to help guide and provide feedback and advice on our First Nations programs and on all matters concerning First Nations art and culture across our business.

Aboriginal and Torres Strait Islander peoples have lived on the continent of Australia for tens of thousands of years. Their art and cultural traditions are among the most enduring in human history and among the most exciting in contemporary society.

The National Gallery is custodian of the world’s largest collection of Aboriginal and Torres Strait Islander art, comprising over 7500 works, which embraces, reflects and amplifies the diversity of First Nations art and culture.

The National Gallery extends a special thanks to Wesfarmers Arts, the National Gallery’s Indigenous Arts Partner, for their extraordinary support of First Nations exhibitions and programs including the 4th National Indigenous Art Triennial: Ceremony, Ever Present: First Peoples Art of Australia and the Indigenous Arts Leadership and Fellowship Program.

The National Gallery is committed to recognising Aboriginal and Torres Strait Islander cultural rights and engagement through its Cultural Rights Policy.

We understand that excellence shouldn’t only exist in the collection. The Gallery acknowledges that excellence is determined by the pursuit of meaningful and genuine collaboration with artists and their communities.

While we haven’t finalised our Engagement Protocols yet, you can find some templates, guidelines and more in depth information here, developed by the Australia Council for the Arts, and here, developed by the Australian Museums and Galleries Association.

Ethical Purchase of Aboriginal and Torres Strait Islander Art

In many Aboriginal and Torres Strait Islander communities, art sales are the main source of income. Making sure you always buy ethically and authentically is not just about protecting your investment, it’s about respect for the world’s oldest living culture, ensuring the artists and those around them are paid fairly and securing a sustainable future for Australia’s Indigenous art industry (see Indigenous Art Code).

Developed as part of the 4th National Indigenous Art Triennial: Ceremony the acknowledgement video shown as visitors open the National Gallery website shows Ngambri/Ngunnawal Traditional Custodian Paul Girrawah House undertaking the traditional practice of tree scarring in Kamberri/Canberra, where the bark of a eucalypt is carved or removed to create cultural objects such as shields and coolamons.

Paul Girrawah House and Dr Aunty Matilda House’s tree scarring Mulanggari yur-wang (alive and strong) will be permanently featured in the National Gallery Sculpture Garden.