Art Cases

The Art Cases program is a core part of the National Gallery’s Touring Exhibitions program. The program comprises five art-filled cases that travel to schools, libraries, community centres, galleries and aged care homes, where the works are discovered and handled by adults and children of all ages for both exhibition and hands-on programs such as art making and story-telling.

In 1998 Jim and Elaine Wolfensohn generously donated funds to purchase interesting and durable works to tour to metropolitan, regional, and remote areas of Australia. Then known as the Jim and Elaine Wolfensohn Gift, two cases began touring in 1990 and were joined by a third case in 2004.

After three decades of touring, the program was expanded in 2021 thanks to the generous support of the Neilson Foundation. Five cases now tour Australia with revised artworks and themes inspiring creativity, inclusivity and learning.

The five cases and their themes are:

• Red – Bodies
• Copper – Country
• Blue – Earth
• Yellow – Past, Present and Future
• Orange – Form and Function
  

Contact

Are you interested in hosting an Art Case in your local community? The program is free of charge and freight and insurance are arranged by the Gallery.

Please contact touringprogram@nga.gov.au.

The National Gallery’s Art Cases are generously supported by the Neilson Foundation with grateful acknowledgement of founding patrons Elaine and Jim Wolfensohn.

The Bodies Art Case brings together works that explore the lived experience of biology (flesh and blood) and how our bodies influence memory, space and form. Several of the artworks take the form of internal organs – heart, brain, digestive system – encouraging us to pay closer attention to what is going on inside our bodies, and how these organs influence our experience of the world. Other artworks consider how bodies relate to the external forces, through their ability to manipulate space or how they are shaped in relation to larger social structures. The works in this case encourage us to think about the physical composition of our bodies and how they shape our experience of the world.

Artists & works

• Lionel Bawden
  Brain coral 2003
• Richard Byrnes
  Digestion haiku 1993
• Karla Dickens (Wiradjuri people)
  Block and tackle 2020
• Matt Harding
  Sacred heart 1999
• Emily O'Brien
  Hair chairs 2004
• Neil Roberts
  The space inside my fist 1995

The Country Art Case brings together First Nation works showcasing Aboriginal and Torres Strait Islander perspectives, ideas and stories about land and Country. Many of the works in this case are made by using natural material, sometimes sourced via cultural collection. Knowing how material is collected from the environment can give an insight into the relationship Aboriginal and Torres Strait Islander people have with the natural surroundings. This case also looks at the shared histories of First Nation and non-First Nation peoples since colonisation, and the adaptive nature of First Nations peoples when looking after and utilising their land and Country. First Nations ideas and philosophies provide a holistic view of land and Country, connecting Aboriginal and Torres Strait Islander peoples through place, spirit, culture, practice and ceremony.

Artists & works

• Penny Evans (K/Gamilaroi people)
  Burnt banksia 2020
• Carol McGregor (Wathaurung people)
  Gather bags ll 2018
• Jimmy John Thaiday (Erub Mer people)
  Kebi nam 2018
• Aubrey Tigan (Bardi/Djawi peoples)
  Riji 2009
• James Tylor (Kaurna people)
  Kaurna wirri katha 2020
• Lena Yarinkura (Rembarrnga/Kune peoples)
  Bush mice 2002

The Earth Art Case brings together artists who reflect on the importance of the natural world and our place within it. From the early beginnings, the natural world has been a source of inspiration for artists to articulate the different yet profound ways that cultures connect and respond to the environment. The works in this case span long-standing and contemporary art practices, demonstrating a variety of spiritual, cultural and artistic connections to nature. From the biological to the geological, the microscopic to the visible, the artworks ask us to consider our responsibilities to protect and preserve the intricate and extraordinary diversity of the natural world.

Artists & works

• Elisa Jane and Sonja Carmichael (Quandamooka people)
  Dabiyil wagari (water carrying) vessels 2020
• Megan Cope (Quandamooka people)
  Pieces from RE FORMATION 2017
• John Edgar
  Light stone and Red eye 1993
• John Prince Siddon (Walmajarri people)
  Purlkartu skull
• Unknown artist
  Marka mask late 19th – early 20th century
• Angela Valamanesh
  from Miscellaneous items G 2006 (re-made 2020)

The Past, Present and Future Art Case brings together works that reflect on or are invested with the passing of time. These forms could be time itself, the human experience of history, or the influence of events in determining the possible future. Exploring the past, present and future in insightful ways, the works in this case allow audiences to engage with specific moments in history and speculative futures. From futuristic creatures to bronze sculptures of worship, the Past, Present and Future case asks us to consider our personal relationship with history and the future we are making together.

Artists & works

• Emily Beckley (Meriam Mer/Kala Lagaw Ya peoples)
  Sabagorar susueri (bridal necklace) 2019
• Ian Howard
  The arms of the people 1990
• Carol McGregor (Wathaurung people)
  Cornerstone 2011–18
• Patricia Piccinini
  The offering 2009
• Unknown artist
  Seated Ganesha 9th–10th century
• David Wallace (Eastern Arrernte people)
  Stockman and horse 1997

The Form and Function Art Case brings together works that blur the line between art and design. Each object can be used for everyday tasks - serving tea, giving light, or even grinding pepper - but has been created with great care and attention to detail that goes beyond the simply functional. Combining historical objects with contemporary works, this case asks us to consider the relationship between an object’s use and its form. How does an object’s decoration, shape or method of creation change the way we engage with it or its meaning to the user? From the ceremonial to the personal, these objects illustrate the complex systems and rituals that humans have developed over centuries and suggest new ways of relating to one another.

Artists & works

• Lulu Cooley (Pitjanjatjara people)
  Wira (collecting bowl) 2018
• Cinnamon Lee
  Palmlight #2 2000
• Karl Lawrence Millard
  Lizard grinder 2000
• Gilbert Riedelbauch
  Double bowl 2000
• Shireen Taweel
  Noor 2016
• Unknown artist
  Ankus [elephant goad] late 19th – early 20th century